Larry Gibbons
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life and death themes

7/7/2016

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Baby Evening Grosbeak on our Deck
A few weeks ago, a good friend of mine passed away. Terry Phliger, who lived in Michigan, died only days from his 69th birthday and only hours before his scheduled resettlement in Ontario.
PictureTerry Phliger--R.I.P.
Terry was an artist, professor, humourist, practical joker, story-teller and a compassionate and highly intelligent human being. His mind and spirit were powerful, which was obvious in all he did and said. He was also a person who continually encouraged me, whether in my personal life or in my creative one. His humour and laser-sharp, insightful responses would usually leave me chuckling and encouraged, while sending my problems fleeing to some decrepit corner, where, safe from Terry’s iron-clad diagnosis, they could sulk and suck their miserable thumbs away.

I’ll miss Terry. As astute a man as I have ever known and one who, I’m sure, if there is an afterlife, is already planning some heavenly prank or is busily becoming a pain in the devil’s ass.

“On the death of a friend, we should consider that the fates through confidence have devolved on us the task of a double living, that we have henceforth to fulfill the promise of our friend’s life also, in our own, to the world.”
                                                              H.D. Thoreau, Thoreau On Man & Nature

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Larry, Grace and Sue on our Knotty Pines Patio in Ingonish
Maritime Mac, who likes to hang around train stations, was hanging around the front door of the Truro train station one grey, humid day . He was there because he had to drive a friend to the station.

While hanging out by the heavy doors he also enjoyed the delicious odour of Murphy’s Sea Food which drifted around the corner and into Maritime’s nose.

Three young lads approached on their bicycles. The oldest boy might have been twelve while the other two were younger. Maritime only heard part of the conversation and he didn’t hear the names of these characters, nor that of the character they were talking about, but what he did hear made his loitering worthwhile.

I’m going to make up the names, all for the sake of security and quality, so you can enjoy the conversation.

“Tod kissed Rebecca,” one boy said.

“I’m going to kiss her,” said the second little boy.

“You already kissed her. It’s my turn to get one,” responded the third little fella.

Then the three cycling smooch bandits rolled on down the concrete plaza sidewalk and out of Maritime’s life. Leaving Maritime Mac chuckling and with a wee story he knew he’d just have to tell to some Cape Bretoner when he got back to the mountains.
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Sue, Grace and Buster enjoying a morning walk in Ingonish
***
And now a brief note to Marianne. Never fear, I have been keeping my eyes open for the angelica plant and have already filled two big plastic bags with their shrivelled up bodies. I think, however, now that I recognize what they look like in their infancy, that next year, I’ll walk my grounds in the early spring and pull them up when they’re in their babyhood.

Thought you’d like to know.
***
I think comments on the language in my book, ‘White Eyes’ are a good example of democracy at work. For every person who doesn’t like the swear words in my book, there is at least one other who doesn’t mind those nasty words or may even find them cathartic.

I’ve mentioned this profanity issue in another blog, but because it has been brought up again and because I try to respond to comments from folks who read my blog, I’m discussing it here, once again.

I think profanity can make the dialogue in a story more authentic and not too sugary sweet, when used appropriately. However, the longer I continue to write, the more careful I am about when and when not to use these big-bad-wolf words.

The strange thing is, I don’t, for the most part, swear. However, when I’m writing, and I have the dialogue bouncing around in my mind, the words are there and I simply type them out. Later on I may edit out some of the little buggers.

My hope is that folks who don’t swear, can read through, over or under the words and still enjoy the stories.

Like the fella who read my book and then congratulated me on capturing the insanity in this world. I appreciated his kind words. He’d apparently found this theme in my stories and as in many stories in many books, the messages aren’t always so easy to discover.
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Moon Peering Through the Trees

“The voice of fable has in it somewhat divine. It comes from thought above the will of the writer. That is the best part of each writer which has nothing private in it: that which he does not know; that which flowed out of his constitution and not from his too active invention; that which is the study of a single artist you might not easily find, but in the study of many you would abstract as the spirit of them all.”

                                                                         Emerson, Selected Essays

One thing I’m trying to say through my stories, is that we aren’t as important as we think we are. Our actions, philosophy and status on this small, rotating, egg-shaped ball of immense diversity, aren’t as solid, momentous, or as superior to ‘the others’ as we believe they are. Intrinsically believing that an idea or opinion is rock solid does not prove anything.

HOWEVER, BEWARE! Our creative muses, like wind or spirit, once tamed or fully understood, lose their power. Sort of like when Delilah cut off Samson’s long hair. He couldn’t pull down a pillar, a post or a two-by-four and maybe that’s why, in the original Hebrew, the word God was written without vowels. Impossible to utter and therefore out of our taming and diminishment-of-awe reach.

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Heavy Mist at Ingonish
Anyway, no matter how I try to convey it, I’m really not very good at verbally expressing what touches and affects my soul. That’s why I write stories.
***
When ‘White Eyes’ first came out, I found myself walking around town with my head down as I waited for the criticism - negative and/or positive - to begin. I found that both kinds of appraisals filled me with all kinds of emotions and often not the feelings I expected.

Not too long after ‘White Eyes’ was published, I was walking along the lake shore in Baddeck. It was only a few days until Christmas and the snow hadn’t yet come to Baddeck with any vengeance. While hiking along the shoreline I came upon a  friend who was sitting in his vehicle, looking out over the lake, teary-eyed. Not because of having read my book, but because the memories Christmas brought to him were stirring his heart.

We chatted and, at one point, he told me he’d read one of my stories.

Then he said, “I didn’t like it.”

He apologized for not liking it.


I told him not to apologize, because I took negative criticism better than positive. Maybe I’m more used to it, I don’t know. But funnily enough, he has since become one of my best ‘White Eyes’ promoters. However,  I found his negative criticism easier to handle coming from a non-Aboriginal than the accolades coming from non-Aboriginals. At least during the first year.

Now, don’t get me wrong, I genuinely appreciated receiving positive comments from non-Aboriginal folks. However, what I really needed was to hear the Aboriginals respond positively to ‘White Eyes’ and therefore, being congratulated by non-Aboriginals would often cause me to feel, at some level, emotions of guilt and sadness, even though I appreciated their kind, supportive words.

I think it was because I knew that the stories only existed because I’d had the chance to spend time with the Aboriginals. Therefore, I needed to know what the Aboriginals thought about my book. Because, if I didn’t hear positives from them, then I knew I’d feel like just another exploiter, as so many White people were before me.

‘White Eyes’ wouldn’t have existed had I not been able to live in their community, taste their food, drink their drinks, experience their customs, share in their joy, feel their pain, be sad when they were sad, laugh at their humour and a whole lot more that I will probably never be able to properly represent. 
That’s why, on the first page of ‘White Eyes’, you can find an appropriate verse which is taken from the Bible. “I was a stranger and you took me in.” Matthew 25:35
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One cold night, a Native fella and his daughter dropped around to pick up some toilet paper. Notice I didn’t say borrow toilet paper, for obvious reasons.

It was after midnight. The Aboriginal fella’s daughter, about twelve years of age or so, picked up a copy of my book from the coffee table. She opened it, quietly read a little bit, looked up and then told me she liked the book, specially when it talked about eagles and she told me all her friends were passing the book around and enjoying it.

That was the best critique I could hear. And then as time went on and other Aboriginals commented on White Eyes, I came to realize that the Aboriginal folks around here enjoyed the fact these stories were written about them. They found the stories funny and ‘White Eyes’ had also allowed the non-Aboriginal world to take notice.

Also, many of them visualized me as being the main character in most of the stories. One fella talked about when I fell under a truck in the story called, ‘Mountain Iris Spirits’. It wasn’t really me and that specific incident never happened to anybody I knew. It was made up. However, I did get my thumb wrapped up in a rope as a load of logs shifted on the back of a wagon.

I may, from time to time, include in my blog the beginning of one of my stories. Just a page or two, in the hope that it may whet the appetite of some blog readers to read ‘White Eyes’.

Oh, and many of you might be wondering what bits of Busterness Buster is up to. A lot, so stay tuned. I’m sure you’ll hear more about Buster, but for now, please read the first very small section from one of my stories in ‘White Eyes’.

MOUNTAIN IRIS SPIRITS
We were up on Owl Mountain.  Both of us frustrated up to our yin yangs with Denise’s extended family. We live with them, on the reserve, in the family home. Three bedrooms and fourteen people. Us sleeping on the living room floor. Everybody else sleeping in bedrooms, except for Uncle Charlie who, with his fat tabby cat, slumbers half his day away in a tent on the front porch. Denise’s ex moved in last month and Denise gave him our small basement bedroom. A piss-off but she felt sorry for him. Red alert to our relationship, as we couldn’t sleep or do anything personal until the last member of the family had decided to turn off the television. Phony anger fits and antics were on almost the whole goddamn night, and in the morning we’d awaken, our eyes swollen from lack of sleep, to find the kids dripping their breakfast all over our bed sheets while they watched cartoons, or tiny Tod-alias Batman during the day-soaking us in everything from thirty-five S.P.F. sunscreen lotion to his cereal milk.

According to Denise, this mountain we had retreated to is also the home of spirits. She said they were everywhere, but today it was quiet and peaceful, as a bald eagle circled over the spruce forest. I hadn’t seen many eagles in Ontario but there sure were a lot of them in this part of Cape Breton.

“My stomach’s all jittery. Means there’s spirits hanging around,” Denise said.

“I get that with a hangover.” I laughed. She didn’t.

“Yeah, right. Most of you white people couldn’t see the spirits if they were plastered to your nose.” She swept her long black hair up into the mountain air, looking like an ancient mountain fairy queen.

“Maybe I can. I’m just not around people who talk about them all the time. You’ve been drenched in ghost talk. People always going on about spirits. Everywhere. Cripes, your sister ties her blankets down so the ghost won’t yank them off her bed, and you’re always hearing about somebody finding Mary or Jesus or some saint on a window or somebody’s toilet seat.”

I was sounding skeptical. Denise didn’t care for skepticism.———-

***
There, that wasn’t so painful, was it?

Thanks for reading my blog and you all take care.
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1 Comment

The Path in the Sky

30/8/2014

0 Comments

 
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I’m back and hoping that you’ve all had a great last few weeks and are getting pumped up for the fall. Which you know as well as I do, is the precursor to winter.

I’ve just finished reading a wonderful poetry book written by David Woods. He’s a black author and the book is titled “Native Song”. This was his first collection of poetry.   It is an intense and passionate collection  that reveals his determined and unrelenting fervour to right the wrongs that were done to the Blacks.

David Woods has also written plays and is an accomplished artist. Here are a few samples of his poems.


“It is never good to agree
to hands choking you to death.”

        David Woods, ARTIFACT (For Rose)

“Each fragment lying outside
The structure of love
Turns to monster in the late night,

Each society that discards people
Sharpens hands for killing.”

      David Woods, MACHUKIO (The Terror)


***

A few months ago I was asked to be one of the judges for a writing competition. And whew, the more I thought about this judging task, the more serious I felt about the whole venture. Me, having the audacity to tell people that their stories are better or worse than somebody else's!

You see, I’ve submitted a few short stories to a competition or two. And, I’m proud to say, I’ve never won any. Yeah, blow the horns and bang the drums.

However, I’ve come close. One story got an honourable mention and one made it to the long list on a CBC short story competition.

The thing is, I labour over the stories I submit. Rewrite and rewrite. Change the plot. Discard the plot. Start a new story. Totally change that plot. Get out my notes and check the story against lists of short story musts and maybes. On and on and on and then one day I mail the story out. Usually on the deadline day.

Once it’s in the mailbox I try to forget about it. Put it out of my mind, but still, there’s always a tiny flitting bug memory that buzzes around in the back of my consciousness. Which periodically bites me on the brain stem and makes me think, “I wonder how I’ll do in the competition?”  “When will I hear from those short story writing gods?”

I also wonder who is judging my story. Is the judge a woman or a man? How old is the judge? Are they watching television and eating a peanut butter sandwich while they are reading my precious baby? Are they drinking? Oh god, no. While they were looking at my story? My story!!

Is he or she in a bad mood? What kind of life philosophy do they have? Will my story yank their chain the wrong way? Are they sophisticated, snobby readers?

So, when I was reading the stories that I was supposed to judge, I kept all those thoughts in my head. I really, really tried to read the stories carefully. And I didn’t eat anything while I was carefully reading them. Although, I did drink a cup of hot tea.  And I only had quiet music on while I sat in my office with my door shut as tight as a honey jar.

Not only that, but Sue also had a read of the stories and made her own notes. Oh yes, we made notes, but I didn’t read her notes until I finished reading the stories. I didn’t want to be pre-prejudiced. (Is that a word?) Neither did she read mine.

She was as serious about the job as I was and then afterwards we sat over a cup of tea and talked about the stories and argued a bit and then came to a conclusion.

Of course, it was a subjective exercise and in the overall picture that is probably a good thing. Because writing and art are subjective by nature. As are so many of the dictates we are exposed to which tell us how to behave or not to behave, eat or talk. Much subjectivity must rule if our lives are to expand, and if we and our race are to venture out into the creative unknowns.

Writing Tips I've Gleaned over the Years

Here are a few points to remember if you are writing a short story for a contest.

1: Begin with a bang.

2: Try to introduce an element of uncertainty or suspense at the beginning.

3: Make your characters alive and real.

4: Make your story different.

5: If you have no length restrictions then try to keep your story reasonably short. Say between 1,500 and 3,000 words.

6: Have an ending that is positive, meaning one with a different turn to it. It doesn’t have to be a happy ending. It can be sad, but it should say something important.

7: Make sure you have one clear central theme or plot running through the story.

8: Try for a story that goes against the grain. Don’t always stick to the politically correct issues of the day.

9: Follow the contest rules.

10: Watch out for errors in grammar, spelling, punctuation, etc.  No matter how many times you reread your work, you will miss some errors. Most writers ask at least one other person to proofread their stories.
***
I’m going to try to tie a thin thread between our time at the cottage and my thoughts on subjectivity, rules, freedom and creativity. Here goes.

We recently spent a week at a cottage. It was a large cottage. It had to be because ten of us were going to be rattling around inside its walls. And it was a beautiful cottage. Alas, it did have some problems.

For example, the well went dry. Which meant the toilets didn’t work for a time. Therefore a gigantic truck had to squeeze down the cottage road and pump thirty thousand litres of water into the parched well.

However, we still didn’t have the downstairs toilet or washing machine operating because there was a pain-in-the-ass leak down there. So the plumber had to shut the water off to the downstairs washroom until it was fixed.

This problem affected the family members who had to sleep in the basement or, to use a more genteel label, the downstairs. The downstairs was damp and probably not so comfortable for those family members and some nights the pump was running almost continuously.

There were other problems too. One family had a sick cat which had to go to the hospital and another family had a child who was bitten by a tick and she had to go to the hospital.

So you might think that I would think the week at the cottage was near to being a disaster. But in my mind it wasn’t even close. And it also proved that having lived a life that was a bit or a lot off the grid can be an advantage.

You see, even though there wasn’t plumbing for a day, there was an outhouse. And that’s what I used anyway. Even before the plumbing went up shit creek. Because I was used to using a shit-house or, if you want to be more genteel about describing it, a privy.

I remember when Sue and I moved to our trailer with the indoor toilet that we missed the outhouse. Missed sitting inside, with the door open, looking at the ants, listening to the wind, watching the clouds, smelling the flowers, feeling the snowflakes tickle our face, listening to the ice on the lake speak. Those kinds of natural earth- bound events.

So, when the two dumpers shut down, it was no big deal for us. And when the plastic toilet bowl pail in the outhouse was full, again there was no big problem. Sue and I simply went outside and dumped it in the designated place so the various family members would have a tidy place to attend to their personal needs and requirements. And she and her daughter hauled buckets of water from the ocean for washing purposes.

The privy had a Dutch door so we could sit in there, secure from onlookers, while admiring the ocean and watching the blue heron who spent time on the beach.

Antigonish Harbour
Antigonish Harbour
What were the other positives? The beautiful ocean. The trip to PEI. The chance for the family to better understand each other and to spend undistracted time together. Time to read and drink beer or wine or rum and coke or ginger ale or cola, etc. And the weather was good for the most part, so we all played in various ways outside. The meals created by Sue’s son and son-in-law were wonderful. We got to meet an interesting fella who helped us all realize that the world doesn’t whirl the same way for everyone. Or maybe I should say, revealed to us that the sun shines on everybody. Subjectivity. Subjectivity.

I found a hiking trail; we played games with each other; I met up with a dog named “Luka” who was kind enough to jump up on me and show me his teeth.

white dog
Luka
My new camera captured some beautiful pictures; I kayaked for the first and second time. Oh, I could go on and I’m sure that everybody else has lots of good memories too.

Of course, we all went into the cottage with a bunch of expectations. And, the cottage was reasonably expensive, so of course we wanted everything to work out. But instead there were the problems. Things broke, didn’t work the way we wanted them to and it rained one day, just like life. Lots and lots of things happen in life. And, in my mind, it’s the things in life that surprise us and disrupt our plans, or don’t follow the rules as laid down by those who have the power to lay them down, that play a large part in what moves the human world forward in a creative Wabi Sabi way. (Wabi Sabi is the Japanese art of appreciating the beauty in the naturally imperfect world.)



Antigonish Harbour
View of Antigonish Harbour from Cottage
***
By the way, I painted our trailer a different shade of green. We like it better.

One interesting thing, though. If you look at the picture it looks like one section had one less coat of paint applied to it. However, it didn’t. They all received the same amount. Maybe it was the rain that caused one section to look more faded. Maybe I mixed one batch better than another. Who knows, but
DOESN'T IT LOOK CREATIVE?

mobile home
Our newly painted home
***
             “For every evil under the sun
              There is a remedy, or there’s none;
           If there is one, try and find it;
           If there is none, never mind it.”
                                                   A Proverb


            “The woods were dark, and the night was black,
            And only an owl could see the track;
            But the cheery driver made his way
            Through the great pine woods as if it were day.

            I asked him, ‘How do you manage to see?
            The road and the forest are one to me.’
            ‘To me as well,’ he replied, ‘And I
            Can only drive by the path in the sky.’

                                                  Amos R. Wells, The Path in the Sky

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